28/11/2012

Exu & The Lucky Tavern


Exu is about luck. Luck is a state and it is a daimon. Luck reveals itself in a state of affirmation of opportunity where you praise luck, both others and your own. By praising the luck of others you are celebrating the daimon of luck. The daimon of luck is perhaps better known as ‘Chance’, from the Latin cadentia, which means ‘what falls out’ in reference to the game of dice or other games of chance and luck. Fortune is intimately tied in with the mystery of luck and her wheel is given motion by accidental turns that favor people in a seemingly random way. Hence the king of today might be the fool of tomorrow.  Luck and chance is also related to the Latin ‘sors’ and by linguistic development ‘sorte’, which in the modern vernacular means ‘luck’ and ‘chance’ – but ‘sors/sorte’ is also the root of sortilege, to cast lots – and here intimately related to fate and ways of twisting and turning Fate. Sortilege was also one of the activities of witches that were punishable by death – because no one should meddle with Fate and Fortune – and it is this field Exu dances around in.  

It so follows that ‘Sorte’, better known as Fortuna, which we find in classical astrology being of the nature of Jupiter and Saturn and in mythologies seen as a daughter of both Saturn and Jupiter is the spirit that informs the daimonic host of luck. This is why Quimbanda holds this air of the forbidden – because indeed we are here trespassing into realms that can alter the Fates and potentially bring grace or disgrace…

Luck is not about being deserving of her grace, it is more often about being in the right place at the right time – and preferably with the right attitude to make use of one’s luck. When we work the spirit of luck we need to be in a constant state of acceptance and appreciation for the ways wherein she works. Luck speaks loudly to those who are content and equally loud to the bitter ones that see themselves stalked by misfortune. She tends to represent increase – and if what you have is bitterness, more bitterness will come. We see putrid shitheads gaining political elections, we see our enemy cured from cancer and we see billionaires gaining the lottery. There is a tendency of feeling that such people might be “undeserving” of their luck – but luck is like any game of chance – the dice thrown in a given moment… If we feel resented with other peoples luck we scorn Luck herself. By celebrating luck wherever she manifests will bring her benevolent rays upon our life – and increase will be your lot. 
  
This is what makes Quimbanda such a delicate cult. Since we manipulate Fate and Chance it also comes with certain demands to ones character, literally, whatever your soul is full of is the energetic form that causes results. If hatred and resentment is dominating the soul this will cause a friction with the spirit of Luck and Fortune can easily turn into misfortune.
The cheap tavern, the boteco as it is called in Brazil, is an extension of the marketplace. In the past it was to the tavern people took their sorrows and victories, it was here the market took human form under the rose and veiled in beer and wine. At the tavern no nobility were to be found – and if they were they would probably be like the Earl of Rochester, more than a Marcus Aurelius – or would they?

The tavern is like death – because here everyone is the same – it is the Kingdom of the Harp and Lyre where pimps shake hands with saints, where differences is given to the growls of booze for the sake of unity or fight. Intoxication is the mistress of truth – but she also indulges all shades of self deception that apes the truth – the intoxication of spiritus is like the soul itself in fact… it is the atmosphere of luck, a gathering of possibilities.  In the tavern the tarnished soul can be brought to ease and frustration can find release. It is also a field of opportunity and of luck, which is why Zé Pelintra loves the tavern. It was through the tavern the lucky stars started to shine upon him and it is in the tavern we find some of the more devious and oracular of Exus. It is here we find Fortune holding the cup of Jupiter and Saturn – and it is because of this luck can hit in this marketplace of intoxication.

Now, the boteco or the tavern tend to be a place of male dominance, a place where any female is a potential whore and the talk is often about tits and ass, usually with a generous debunk of spouses. This debunking of marital partners does speak of their choices and their character. In debunking their spouses - Fortunes loved ones – they are also debunking themselves in degrading the one they chose to grow with, their mirrors as it were. These males rarely consider this, because the booze is oil for the tongue and the tongue gives to the tavern all lies that torment the hearts’ truth. In the tavern men pose moments of greatness they never had. They cry out their hearts in rivers of pride and failures and it is all dramatized on the drunken stage of the tavern – the marketplace of Exu.  Drunkenness can be of illusion and revelation, truth and lie. We can be drunk on wine, love, insanity – and it is all good as long as we are aware that Fortune seeks the tavern, the contradiction – because in such climate the dices are constantly thrown and fortune and misfortune spreads out…

It is all up to Luck – and Luck is something we attract, not by debunking other peoples luck or finding our choices not reaping rewards – but we embrace all things in a spirit of joy, interest and ecstasy – which is the spirit of Fortune - when we accept the good and the bad, the blessings and the lessons.

The tavern is a fire in the night and the drunkenness of the tavern fuels this fire. Here we are in the Kingdoms of Streets, Harp and Crossroads – it is a constant sequence of choice and chance. It is like the world itself given expression in a limited space – but under the influence of Bacchic revelry, you might be born anew or you might be ripped apart…

Exu & the Quimbanda of Night and Fire can be ordered by a click.

20/11/2012

The Recreation of Self


We are born and with our birth a gathering of souls take hold of our body and watch the world through the senses. We feel alive, because we are born into a world of mystery. Curious we rise up and we walk, exploring the worlds of body and soul. As we walk the world, explore it – the question of ‘who am I” and “why am I here” tend to surface as the mind starts to provoke the soul with a particular spirit – it is the spirit of the hunter and the hero. It is a call to find our Self and our purpose. It is a call to Fate and Fortune. In our curiosity we ask then to show themselves – but it is not so easy, because they are cosmic oils and scents – a compass of rewards and lessons, that guides us in mysterious ways towards our happy destiny.

As we walk the world, some of us get lost in various ways and some mistake their true station for specters and phantasms in alien deserts. Yet others believe that we all can, by the power of ambition, stretch out and be like our fellow beings in so far as social statues and prominence is concerned. The democratic lie wants us to be the same – and not blessed uniquely as we are.

The social order seeks to establish – order – if there is too much variety of nature and aspiration between its actors it will be hopeless to restrain by law and punitive action the natural inclination of people. We turn conformed and our many beautiful birds are quenched in the machine of conformity. The spirit of the hunter dies in the alleys of ambition and greed as heroes cease to believe in themselves and accept any unhappy fate as their lot.

Restrictive democracies - that dress the clothes of socialism and common good - works like pesticides, it makes what it wants poisonous and kills of the rest…
   
This makes it difficult for the hero, the hunter and the saint to rise, grow and discover it self, and in place of self discovery we are graciously gifted with mental illness and afflictions of the soul – and we turn to the labyrinths of our sick psyche to find affirmations of our worth and our debilities turns into labels of identity as we move on and try to find exactly what we aspire towards.

How different is it not in traditional societies, where an infant is subject for divination to establish what Fate holds and to give recommendations of how a given individual should act and not act, in order to gain fullness and happiness in life? Because, life is a journey – but why should we walk it without waymarks of any sort? This is not determinism, because any Fate is a happy one – it is just the route towards it that is different – because we are different. Unfortunately in our modern world these waymarks are not available, nor accepted - because they are a part of an arcane superstition. 

To enjoy life as a journey is important, because this approach leads to growth and maturity – and in this we find the particular constant reconstruction of self that makes us find our oasis. Ifá teaches that when we are born, we are born as curious and immature souls, sensitive bodies taken in with the human condition. Ifá also says this is just the beginning and through initiation and avoidance of èèwò - what is forbidden and harmful - renewal is constantly occurring. Life is a dance between destruction of self and its recreation. Life and becoming is about constant transformation and metamorphosis towards excellence. In Ifá this is called iwá pèlè, good character and for Plato this was arête, seen as good character being constructed by accumulating virtue. Because if no other waymarks are available, building good character is bound to show the way towards goodness and true Self.

Life is a journey and its blessings and lessons provide constant food for contemplation so we can constantly recreate ourselves, as the following verse from the èsè Ifá  Ogbèatè says:

Njé bí a bá tè mi
N ó tún’ra mi te
Èèwò ti a ba ka fún mi
N ó g
Titè l’a te mi
N yòó tún’ra mi te

In Karenga’s translation:

Now, if I have been made,
I should reconstruct myself
The forbidden things which are
Enumerated for me
I will comply with
For I have been made
And I must also remake myself

So, there is no such thing as fatalism, there is no doom, there is no such thing as accepting an unhappy Fate as true. It is only opportunity upon opportunity to recreate ourselves… Ire O! 

05/11/2012

Rosh ha Sitan and the transitions of Lilith



Lilith, originally a spirit of hostile winds in the Arabian Peninsula became a devourer of children, a succubus and finally a Queen of vampires. First wife of Adam according to ben Sira and a hostile demon Queen according to The Zohar. 

Lilith was a foreign spirit, and intruder, charms were made to ward her off - and angels were sent to stop her breeding lilins into the world. The angelic messengers had to make a truce and an agreement – she was here to stay. She rose from being a spirit fated to die, like a dinosaur – but still her legacy and prominence spread across the worlds as history advanced. The more bloodshed and havoc we find – the more Lilith we also find. 
 
Lilith rose to prominence in the world from the shades of storms and bad augurs. Over time she has been associated with the Moon, with Venus, the mother of Djinn and the mother of Sidhe (‘fairies’). She has been approach as a succubus – or their mother, as a Specter and a Sorceress. From Sumer and Chaldea she spread her wings over Edom, Syria, Arabia and Europe. Blavatsky saw her as a primordial ethereal shadow of sexuality – and it is from her theosophy we find the modern ideas that see her as an icon of the suppressed woman that seeks dominion.   

In the book of necromancy called ‘Forbidden Rites’ Richard Kieckhefer (Penn State Uni Press. 1997) gives an instruction for making a mirror of Lylet or Lilith. This mirror should be placated on Saturn days in the hour of Mars (i.e. malefic with malefic). The daimonic genius of the mirror however is called Floron. Floron might be a reference to a spirit of the green, being floral by name and hence a reference to the Garden of Eden might be detected.
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