Pular para o conteúdo principal

The Language of the Birds

King Solomon’s supreme secret is said to be his knowledge of the language of the birds. The language of the birds in tasawwuf or what is better known as Sufism, is the watermark of prophets, the wali or nabi. We can understand wali to be ‘saintly’, while nabi is a wali that has a mission in the world that goes beyond itself. By resorting to a word like ‘saint’ this invites a great range of misconceptions, because it brings the thoughts of modern man towards an image not in conformity with what a ‘saint’ truly is. A saint is someone whose maqam, or station is in divine proximity. This divine proximity can result in the saint being a recluse and wander incognito in the world, like a wali, or motivated by a certain mission is making the knowledge he or she wants to pass on available to the world, being a nabi. There is no difference in the station of the wali and the nabi, what differs is the compass, and the direction of attention. So, by sainthood we must understand a proximity to the divine, which is simply accomplished by turning ones passion towards the intellect and onwards, refusing to be a slave of passions, but rather using passions in the service of the One.
The birds are divine messengers, in Ifá the birds are manifested in Osá Meji, an odu that represents a tendency to fly away from mundane responsibility and calls upon the powers beyond the veil, the unruly powers mortal man can only appease. But through appeasing turbulent powers they turn friendly towards the one who invest interest in calming these powers down and make them enter in agreement and sympathy with oneself. Ifa speaks about two deities capable of understanding the ‘Solomonic language’, they being Orunmila and Osanyin. Orunmila is the spirit of wisdom who draws his power on the spirit of knowledge, Ela, and the other spirit is the divine doctor and herbalist, Osanyin. The odu that speaks of this mystery is found in the odu OkanranTurupon where Olodumare invites Orunmila to discover the ase (powers) of Osanyin. Osanyin comes along in spite of Orunmila’s advice of staying out of this. When they arrive to Olodumares court they sit down on a mat that has been impregnated with blood taken from Olodumares wife with cotton, a power that ignites Orunmila to become oracular – and thus he solves the riddle of the calabash presented before him. Osanyin, who in his stubbornness chose to come along, is challenged to sacrifice a dog to seal the secret of his ase, but he is not capable and instead he wounds his leg, making him unfit for hard work. Orunmila thus gives him his secret, which is the secret of leaves and plants. This odu is immensely rich in meaning, but today I want to focus on the secret of revelation, which is the blood of Olodumares wife wrapped in cotton, which is the voice of Osanyin, The menstrual blood wrapped in cotton is the voice of nature – and this is the essence of the language of the birds. By ones knowledge of the secret works of nature the birds can speak. It is through ‘the road we did not traveled before’ as the odu says, we come to know wisdom. And indeed nature speaks, through birds as through plants, waters and rocks. And it is I this frame as nature as having a language that we can understand if we just turn our attention towards it I understand what happened just a few hours ago. I was going to the Egbe Ifá but on my way I met two birds (Turdus rufiventris) who jumped towards me screaming, I heard in my head the screams telling, “keep your distance!”, which I did. I spoke back asking what was wrong and again these screams that told me to keep my distance. I was wondering if they had made some nest nearby that I was disturbing and then I saw, a snake, curling through the ground, actually a viper I was about to step on, had it not been for the bird telling me. An hour before this encounter I had discovered a dead kolibri, which for me always carry sinister omens – today as any other day, and indeed it was a forewarning of impeding death that was avoided by actually understanding the language of the birds. This tells me that anyone can, with the right direction of their attitude, become a wali, someone who understands the language, not only of birds, but of nature. And in such way I count my blessings as a dweller in the countryside and as an Awo and a Sufi… as Ifá says:

Ifá kí kó níí mú’nì mò Ifá
Ònà sísì níí mú ni mò ònà
Ònà tí a kò rìn rí
Níí se ni sìbásìbó
It is through constantly studying Ifá that we come to understand Ifá
It is through missing the way that we come to know the way
It is the road we have not traveled before that causes us to wander here and there

Postagens mais visitadas deste blog

The ‘firmeza’ of Quimbanda

Quimbanda is a cult centred on the direct and head on interaction with spirit, hence developing mediumistic skills and capability in spirit trafficking is integral and vital to working Quimbanda. Possession is a phenomenon that intrigues and also scares. After all we have all seen movies like The Exorcist and other horror thrillers giving visual spectacles to how hostile spirits can take over the human body, mind and soul in intrusive and fatal ways. But possessions do find a counterpart in the shamanic rapture as much as in the prophet whose soul is filled with angelic light that makes him or her prophetic. Possession is not only about the full given over of your material vessel to a spirit that in turn uses the faculties of the medium to engage various forms of work. Inspiration, dream and to be ‘under the influence’ are potentially valid and worthy avenues for connecting with spirit. Yet another avenue for good spirit trafficking is the communion, or what Jake Stratton-Kent ca

A Quimbanda FAQ

In this article I will try to answer some questions concerning Quimbanda that surfaces with frequency. Questions concerning how to work this cult solitary and somehow dislocated from the cultural climate of understanding here in Brazil are frequently asked as are questions concerning the magical tools, such as guias, patuás and statues, available to the general public. I want to be initiated in Quimbanda, how do I proceed with that? When we speak of initiation in the perspective of Quimbanda we are speaking of a true and intense merging with spirit that involves a pact/agreement, a spirit vessel (assentamento), ordeal and oath. There are elements used in this process that are common to every house/terreiro/cabula/lineage of Quimbanda that reveals a common origin. There are different varieties of Quimbanda in Brazil, and the expression of the common root, will always depend of the constellation of spirits we find in the tronco. In other words, a ‘Casa de Exu’ that is dominated

Luxuria: The Seven Sins - part II of VII

"But every man is tempted, when he is drawn away of his own lust, and enticed. Then when lust hath conceived, it bringeth forth sin; and sin, when it is finished, bringeth forth death." - James 1: 14 - 15 -      Luxuria , or better known as lust is by John Cassian understood to be the very womb of sin and death in accordance with James 1. Whereas pride/hubris is the seed of sin, lust is the womb of the sinful seed. Today the word ‘lust’ carry an overtly sexual and hedonist flavor and in truth one of the predecessors of ‘luxuria’ is found in the activity related to porneia or prostitution, but more than this, luxuria is a thymus , an appetite. Perhaps the most proper idea that still carries on the inherent idea of ‘luxuria’ is actually luxury – in other words, an excess. In Antiquity as in galenic medicine all disease was caused by excess of something, in the cause of ‘luxuria’, we are speaking of an excess of pleasing oneself. This self pleasing is of a nature tha