Pular para o conteúdo principal

The Poisonous Hearth



We all have heard the adage: ‘home is where the heart is’ – and home is hearth, where the fire kindles warmth and companionship, home should be a castle and refuge of peace.  When the hearth is overflowing with poison and quarrels and bickering, pride, envy and hatred takes shape in the ill fumes from the hearth there will be no peace. When ones home is poisoned the ugly takes the place of beauty and harm takes the place of healing. This venom is then taken out in the streets and the unrest of the poisoned one will strike to all corners because the world will speak loudly about his misery. The poisoned one will ravage beauty and goodness wherever it shows it face. He will pluck the feathers of the peacock to crown himself – to throw a stolen beauty upon his poisoned state, to hide his ugliness. When a man get’s poisoned at his home his fruits will be bitter and his envy like coals from the caverns of hell will be flung out upon the world.  

Ifá speaks about this interior deterioration arising from a poisoned home as the father of war. It is about a lack of contentment, it is about the self hatred that masks itself in forms of negativity that attacks beauty and abundance that the poisoned one sees outside his home. Since his home is ugly and venomous this calls upon the feeling of all others being undeserving. Here is the cradle of envy, condemnation and hatred – a wish that others share this misery. Ifá tells that this condition is often sustained because of pride, a refusal to sacrifice this attitude on the altar of humbleness and truth. The odù  Ogbè Ìwòri tells:

Títu níí m’áde bàjé
Àìtú níí m’ádìe se yègbèyègbè.
Dífá fún Èbù-Èyìn,
Tíí se ègbón ogún.
Wón níkí wón rúbo.
Wón kotí ogbón `wsebo.
Njé won ò gbón see.
Wón ò mòràn.
Wón ò mò wipe
Nílé l’ogun ti bàjé kí wón tó
R’íbi ogun.


In Karenga’s translation we read:

Plucking the feathers of a living fowl ruins it.
Not plucking the feathers of the fowl leaves it with its splendor.
This was the teaching of Ifa for Ebu-Eyin, internal deterioration,
Who is the senior sibling of war.
They said the people should sacrifice,
But they turned a deaf ear to the wisdom of making sacrifice.
They were not wise to do so.
They were not perceptive.
They did not know that
It is at home that the war is lost before even reaching the battlefield.

The message is that the venom will poison everything it touches, like goodness will transform everything it touches. It is a horrible state that is growing and growing until it finds release in war. In many ways Richard Bach gave a remedy for this when he wrote: “The simplest questions are the most profound. Where were you born? Where is your home? Where are you going? What are you doing? Think about these once in a while and watch your answers change. “  And indeed, regular moments of self reflection mediated by honesty and acceptance do hold the antidote for this most harmful of conditions.

Postagens mais visitadas deste blog

The ‘firmeza’ of Quimbanda

Quimbanda is a cult centred on the direct and head on interaction with spirit, hence developing mediumistic skills and capability in spirit trafficking is integral and vital to working Quimbanda. Possession is a phenomenon that intrigues and also scares. After all we have all seen movies like The Exorcist and other horror thrillers giving visual spectacles to how hostile spirits can take over the human body, mind and soul in intrusive and fatal ways. But possessions do find a counterpart in the shamanic rapture as much as in the prophet whose soul is filled with angelic light that makes him or her prophetic. Possession is not only about the full given over of your material vessel to a spirit that in turn uses the faculties of the medium to engage various forms of work. Inspiration, dream and to be ‘under the influence’ are potentially valid and worthy avenues for connecting with spirit. Yet another avenue for good spirit trafficking is the communion, or what Jake Stratton-Kent ca

A Quimbanda FAQ

In this article I will try to answer some questions concerning Quimbanda that surfaces with frequency. Questions concerning how to work this cult solitary and somehow dislocated from the cultural climate of understanding here in Brazil are frequently asked as are questions concerning the magical tools, such as guias, patuás and statues, available to the general public. I want to be initiated in Quimbanda, how do I proceed with that? When we speak of initiation in the perspective of Quimbanda we are speaking of a true and intense merging with spirit that involves a pact/agreement, a spirit vessel (assentamento), ordeal and oath. There are elements used in this process that are common to every house/terreiro/cabula/lineage of Quimbanda that reveals a common origin. There are different varieties of Quimbanda in Brazil, and the expression of the common root, will always depend of the constellation of spirits we find in the tronco. In other words, a ‘Casa de Exu’ that is dominated

Luxuria: The Seven Sins - part II of VII

"But every man is tempted, when he is drawn away of his own lust, and enticed. Then when lust hath conceived, it bringeth forth sin; and sin, when it is finished, bringeth forth death." - James 1: 14 - 15 -      Luxuria , or better known as lust is by John Cassian understood to be the very womb of sin and death in accordance with James 1. Whereas pride/hubris is the seed of sin, lust is the womb of the sinful seed. Today the word ‘lust’ carry an overtly sexual and hedonist flavor and in truth one of the predecessors of ‘luxuria’ is found in the activity related to porneia or prostitution, but more than this, luxuria is a thymus , an appetite. Perhaps the most proper idea that still carries on the inherent idea of ‘luxuria’ is actually luxury – in other words, an excess. In Antiquity as in galenic medicine all disease was caused by excess of something, in the cause of ‘luxuria’, we are speaking of an excess of pleasing oneself. This self pleasing is of a nature tha