29/03/2011

The Apron Snatcher



Ifá calls our world aiye akamara – a world of mystery. Mystery is understood to be both something hidden that moves creation but also it contains the idea of being puzzled by what we meet in the world. 

The world is mystery on so many planes, both for good and bad. All these mysteries are lodged down in Ifá proverbs or its oral teachings. Often they overlap. One of these mysteries that keep on puzzling me, no matter how much I understand them are confined in the proverb:

Má sé wó tòbì àràkúnrín ré

It mans simply: 

“Do not wear another man’s apron”

This proverb takes on a multiplicity of forms. In its most direct it is a reference to the priesthood of Sángó where it is customary to wear aprons around their waist, in the manner of woman. This is done in honour of the female powers that are the potency of bestowing and removing the crown of kingship. The priests of Sàngó wears the apron of women as a constant reminder of the need for recognizing ancestry, earth and his own position and how it came to be. 

This proverb also speaks about the taboo against making court towards the wife of one’s comrades, because in this is revealed greed, jealousy and passions taking most unhealthy directions. To desire your brother’s wife is considered a most base reflection of bad character, a general tendency towards envy is revealed in this desire of transgressing upon another man’s territory. In the obvious manifestations we find various state of war coming from these forms of envy.

Envy can also take the shape of imposing your opinions upon someone else. When we impose our opinions upon people we are by our actions revealing arrogance. By imposing your opinion on another you are by proxy patronizing the person in question. It doesn’t matter if you feel that your opinion is god given, as in the case of evangelization or if your imposing attitude is because of your envy and lack of character as when you target someone just because they make you feel inferior. 

In the modern world everybody insist on their right to hold personal opinions. In waging their rights the distinction between holding an uninformed opinion and an informed one is forgotten leading to attempts of taking another man’s apron. Of course there are often veiled admirations in these forms of envy but it still remains that it is rude. Typical for these forms of ‘apron-snatching’ is the irrational discourse. The imposer set out aggressively to convince you that his arguments are better than yours. When the flaws are pointed out a rational ambivalence seem to be triggered where fire is fed to ones opinions and reflected in defamation and personal attacks. It is here the envy becomes evident. When the imposed opinion shatters further distortions of fact and foundation is presented and the lack of fact is substituted with fire and passion. The envy turns hot and violent. It is all a game of passion where a distorted flame of Sángó seeks to besiege what is not his. 

It is envy projected upon you; it is the essence of the ‘evil eye’. Ifá understands envy to be like a smoke or ashes thrown against the wind; this can also be the effect of imposing ones opinion upon others. By constantly throwing ashes (judgments/values/opinions) towards someone will make the envy one to be covered in his own venom and in the end will be a monument of shame amongst his peers. Ifá is quite clear in telling repeatedly that unless asked don’t give your opinion to fellow men. At times these personal opinions projected upon one’s person can take quite insane dimensions when we encounter people who are greedy for our apron. Our initial reaction is surprise, contempt and anger. Fire flames up in us as we enter into this vibration. When this link is established we can allow the envy of the imposer to ignite us or we can break this link and avoid being food for envy. Of course both actions tend to make the imposing one entering a state of madness and fury – even enmity.  Ifá speaks in the omo odu ìká’wónrín about an extreme concentration of enimity and evil. It speaks about how evil was surrounding Owon, which is the principle of spreading abundance. In this situation Owon was not raging war – but he was laughing. He was laughing because he had sacrificed his passions on the altar of love. The verse tells us concerning the reason of the advice of making this sacrifice:

'So that their enemies would not be able to
Remove them from their positions,
And so that their adversaries would not be
Able to detract from their honour
Anyone who says love should not
Expand in the world
Will be destroyed in the world'    

Ifá tells us that the principle of abundance is rooted in joy and love – which are attributes of a person who is interested in cultivating good character.  If you do have the growth of good character as a goal, you will also be met with opposition because good character provokes those that possess none and in doing this your character is also put to the test. Character can be like a mirror sparkles in goodness to a blinding reflection of scolding sun rays that might infuriate those infested with envy and a negativity.  Ifá says that a good person run the happy risk of provoking the world by its mere presence in the world. 

So; in the end; ‘don’t wear another man’s apron’ boils down to not imposing your beliefs, desires or person upon someone else. It is about respect and character supported by love. It is about self awareness and the realization that we should seek what bring joy to our lives and not entertain our envy, hubris and distorted sense of self importance it be about lies and deception of fact or of one’s station and destiny.  

 And I say, with Ifá, in the end of ìká’wónrín that if love is what marks our steps:

‘May we live long
may the mark we leave not be wiped out in the world

23/03/2011

Os Dezesseis Raios da Roda de Dama Fortuna

Dentro do corpo de ensinamentos da Arte Tradicional, encontramos os temas, estações e princípios que ocorrem em ciclos não lineares de Fortuna, que exaltam e refinam as qualidades necessárias para que o peregrino alcance o poder do Verbo, de completa conexão com a fonte. Estes processos são tanto internos quanto externos, singulares ou combinados, e se aplicam em cada passo dado pelo peregrino em seu dia a dia.

Minha intenção com este ensaio é o de trazer uma síntese deste corpo de ensinamentos, ainda que de forma reinterpretada, muito reduzida e simplificada visando à compreensão dos peregrinos que iniciam agora sua jornada, o que não impede que estes temas possam ser debatidos em profundidade em outros artigos. Este conhecimento foi legado a mim pelos meus ancestrais na Arte, e está relacionado às estruturas da terra, dos oráculos geomânticos, e aos oito casais pertinentes às direções da paisagem, partindo do Leste.

Junto a cada raio, selecionei citações cujo propósito é exemplificar ou reforçar um sentido. Espero que este ensaio possa trazer algum lume a cada estação onde o peregrino se encontrar, bem como as reflexões necessárias sobre estes processos alquímicos.

22/03/2011

The Wise Devil


F. Goya - El Aquilarre
The role of the Devil in Witchcraft can be a confusing mystery for some. After all the image of the Devil is veiled in evil and misanthropy and many Christian denominations and churches have made themselves depending on him to support their gospel. You turn to God because you need to hate evil, translated into the Devil. Evil, like sin, is to miss the point, and hence all good intentions directed by a mind lacking alignment with heart can be a brooding evil insofar as it evokes negative vibrations to the life of others and your own.

The Devil is known by his horns and cloven hoofs, his pointed tail and trident. He is known by many names and as the architect of details. We find him in crossroads and caves, at the tavern and the racetrack, in the dance and in every choice of life. He is someone we can’t escape because he will appear in any crossroad as the one who challenges you to walk the path of destiny. His trident tells us that he possess the knowledge of all three states and his cloven hoofs that he stands at the point where day turns into night and that he possess the knowledge of the dyad – which is often translated into good and evil.  

17/03/2011

The House of Cards in the Land of Love


Ifá is a faith that values Love over all things, because Love is that cosmic glue that appeals to the soul in such way that it desires to discover its station and destiny. The modern ideals are often Love defying, because to love is a sign of weakness in the face of ambition. Ifá teaches us that the immortal ones descended to Ile Ifé – literally ‘House of Love’ and from here kingships were established. Love is understood as a power that contracts upon the cosmic benevolence and give release to peace, tranquillity and joy – what we understand to be iwa rere, a happy or good character which final prise is abundance, the fullness of all good things.

Character/iwa is a complex concept. Ifá teaches us that iwá was born restless and curious; she had a tendency of being drawn towards the world of matter and intrigue by her passionate nature. If we look t the concept of iwa from the perspective of Plato’s Symposium and Timaeus it would appear that iwa – character – IS Love. Love can be directed to the infernal, to the stars, to others – this is a part of the complexity. Iwa takes on a given form as it moves around in the world. With good guidance it will be good because goodness will refine the natural goodness within the beauty of character. Even if we all are born good with a heart of Love the world happens - and we build, like Glaucus, shells and alien forms over our character either to blend in or to defend that flame of Love that is growing dimmer as we walk on in our life. 

A Casa de Cartas na Terra do Amor


Ifá é uma fé que valoriza o Amor sobre todas as coisas, porque o Amor é a cola cósmica que apela para a alma de tal maneira que ela deseja descobrir sua estação e seu destino. Os ideais modernos são geralmente desafiadores do Amor, porque amar é sinal de fraqueza em face à ambição. Ifá nos ensina que os imortais descenderam para Ile Ifé – que significa literalmente, "Casa do Amor” e foi a partir daqui que os reinos foram estabelecidos. O Amor é entendido como um poder se contrai na benevolência cósmica e nos liberta para a tranqüilidade, paz e alegria – e o que entendemos ser iwa rere, um caráter feliz ou bom, cujo prêmio final é a abundância, a plenitude de todas as coisas boas.

Caráter/iwa é um conceito complexo. Ifá nos ensina que iwa nasceu inquieta e curiosa, pois ela era atraída ao mundo da matéria, intrigada pela sua natureza apaixonada. Se olharmos para o conceito de iwa na perspectiva do Simpósio de Platão e Timeu, pode parecer que iwa  caráter - É o amor. O amor pode ser direcionado para ao infernal, às estrelas e para os outros – e essa é uma parte de sua complexidade. Iwa assume uma determinada forma ao mesmo passo que se move ao redor no mundo. Com uma boa orientação isso pode ser bom, porque a bondade refinará a bondade inerente à beleza do caráter. Mesmo que todos nasçam bons e com um coração de Amor, o mundo acontece - e vamos construir, como Glauco, cascas e formas alienígenas sobre o nosso caráter, seja para interagirmos ou para defender aquela chama de Amor que está se apagando ao passo que caminhamos em nossa vida.

11/03/2011

OBEAH – AFRO-SHAMANISTIC WITCHCRAFT


: reposted here by kind permission of Azoth Kalafou

Obeah is one of the more unknown and obscure African traditions of Sorcery. While Santeria, Umbanda, Candomblè are getting a broader and broader reputation Obeah is still veiled in a great deal of secrecy.  This is understandable when you view the complexity in this earth-religion. The word Obeah or Obi is it self a word shrouded and obscured in secrecy. The most understandable meaning of the word can be translated into ”occult power” meaning a powerful engine used to empower spells for witchcraft as well as other forms for  practical magic and communication with the gods.

It is assumed that the Ashanti and the Dahomeyans is the carrier of the wisdom of Obeah. That it was slaves from west and-north-Africa that brought this current of power to Jamaica and Trinidad-Tobago. The tradition of Obeah captures several lines of occult transmission. The Obeah it self is best seen as an multi-differenced source of extreme power. In a way the Obeah-men are the True Chaos-magicians since they can use any system they want and fuel it with the power of Obeah, without the danger of disrespect for the gods. In Trinidad you will find Obeah blended with Muslim faith with Hinduism and Christianity. Also in Sierra Leone there are certain tribes which declares themselves as Muslim but who use the Quran to perform powerful magic with the help of Angels and Djinns. Similar traditions are to be found in Trinidad-Tobago as well. In the succession I belong to Obeah is blended with Orisha-worship, which is the most common manifestation of Obeah. Orisha worship in Trinidad has two main fractions ”Spiritual Orisha” which are very Christian in its practical way. They also avoid blood offerings. The other one ”Baptist Orisha” is a more pure and ancient line of Orisha-transmission who accept blood-offerings and function very much like Orisha-worship you’ll meet elsewhere in the world. Still I might add that Voudon is perhaps the closest “brother” to ”Baptist Orisha”

03/03/2011

Lilium Umbrae Cuveen. . .







Pathos, Prospect & Pilgrimage
 Lilium Umbrae Cuveen is sworn to allegiance by blood and troth to the Maid and Magister of The Clan of Tubal Cain. We have taken the shadow and the lily to speak for us. A mystery from within, but still aside, that rides upon the scales of Hydra as she is mirrored from Draco. Here we find the raven that drinks the chalice of first blood. The mystery repeats in an enigmatic variation upon timeless truths. As above so below – as the poles support each other and gives stability in its fluid flow of light such are mother clan and all daughters. From the starry pyre at the circles heart the blood flew and flows in truth and troth to the ideals of honour and beauty! This shall be our pilgrimage, upon the scales of the serpent to be as one in blessed diversity that always manifests the hunger of union.

The Dragon's Road
The Dragon is father of wisdom and it is here amongst its select pedigree we find that torch of first blood that marked men to become pilgrims of truth, ever hungry for wisdom. The Dragon itself by its scales is the sum of all colorations of truth – even as it borders on the borders of the world where we find the Lie constantly invading the land of milk, wine and honey from whence ancestry is fed. By acknowledging this descent we also acknowledge a being of blood that thrives on in mystery with the silent aim of supporting the pole of truth. The Dragon is truth and the Mother of the Lie – but as the other affirms the one and marks the land in this way shall the twain Dragon be understood, as the path hiding the enigma of light and wisdom as it needs the Lie.

The Cauldron within the Cave
Robert Cochrane was a man of caves. He knew that in the cave we found light taking the shape of great remembrance. The remembrance would enable us to master Fate whom holds your life and purpose supported upon their three legs. Darkness is ever a teacher, where She blooms as the ecstatic lily of transformation. In this flowering of the witch mother herself holding all wisdom of night the mystery of the cave is found in the secrets of womb, it be of Her, She or Earth. The cave is like the moist night where dream and contemplation meets in mutual genuflection. It is about remembering Truth aided by stars, Fate and Land. It is about the absence that makes all things to be – or at least a whisper of it as it lives on in the nocturnal voices that speaks through birds, snakes and breath.

The Starry Anvil
Man is a stellar stone flung to earth, on the altar of the first blacksmith dross is burnt and beaten to reveal the spine of light within. For us, He is the one who transmitted the power of fire and the secrets revealing how to survive, conquer and master it. He is the extension of the dragon, nursed by the Moon and the land itself into the spirit of wisdom. When we meet Him, Qayin, we meet ancestry and we meet crossroads. The first crossroad concerns ambition and truth where he by each stroke of the hammer asks, 'who are you' and shapes in conformity with Fate your true being. This leads to the second crossroad where the true being, or essence forged has been clouded by a social substance, ambitions continuation. This crossroad was in the 4th Century Church defined as vices caput, cardinal vices as the potential for sin arising from the Dragon's head. The so called seven deadly sins are naturally the malefic shades of the traditional planets and in our journey they will constantly challenge us to be true to our Fate – because only in this way can we be its master. This opens the third crossroad where wisdom and folly is mirrored in acceptance and pride. It is here the fire becomes ours and it is here we can burn down cities and alliances and build our ascent towards mastery of its secrets. As the Master of the accursed blood this is the keys that are his to give.

She of Land and Blood
The people of Goda, are Her people. This is also reflected in how Maid and Magister manifest He and She at a unique juncture outside time and social convention, within the compass. It is here at the pyre within the circle it all turn fluid and interacts in the one stream made from the three... Here the People of Goda takes on a new hue and dresses earth and air in honour of Her legacy and births new voices speaking the timeless truths that were always Hers. Truths forged on the holy anvil of eternal becoming and perpetual return. She is Fate and upon her call we are called to the crossroad where we can master Fate. As the Master Cochrane himself said it paraphrased by the Master Evan John Jones:

"Seeing the Lady is just not enough, to serve her and her will by being involved in humanity and the dictates of Fate (the single name of all the Gods) because in Fate, and the overcoming of fate, is the key to inspiration and death itself is gained stayed. There is no fate so terrible that cannot be outfaced and overcome, whether by a concrete victory gained by action or the deeper victory of the spirit engaged in the solitary battle of self. Fate, destiny or doom is the trial, the Castle Perilous, in which we all must meet to win or die." (Jones & Cochrane, ed. Howard (2001): The Roebuck in the Thicket. Capall Bann: pp 161)

And in this we find our pathos, prospect and pilgrimage.
Lilium Umbrae Cuveen can be contacted at llilium_umbrae@clanoftubalcain.org.uk

From:
http://www.clanoftubalcain.org.uk/index.html

01/03/2011

The Pagan Sun and the Witches’ Moon



Micha Brusilovsky (2000) - Garden of Eden/night

Paganism, neo-paganism and witchcraft are all labels that seem to be difficult to define and keep separate. In many ways, I do like things to be fluid and flowing in as tides and moon moves – but it can also be confusing to understand where the waters crosses the boundaries if we don’t really mange to separate the duck from the swan. Robert Cochrane who defined himself as a witch, or more correctly a pellar defied the label pagan given upon him. He not only commented upon the fluidity of the Craft itself but also defined it as a faith. He said: “The Faith is a belief concerned with the inner nature of devotion, and finally with the nature of mysticism and mystical experience” (The Roebuck in the Thicket, 2001: 56). In addition we should also remark his very pragmatic attitude towards rite and ceremony. This inner dimension of devotion is a classical trait in many religions who places importance on inner experience. For Cochrane it was this that rekindled the fire within so we could resonate with truth. Ritual should be designed so a greater perception of the godhead is revealed so this can be revealed within us, because in faith we find the true life. He says about modern witches in his article ‘Witchcraft Today’, ‘that these see the Craft of the Wise as simple pagan beliefs, full of old traditions which are appealing’ (ibid. 48). He clearly made a distinction between his own beliefs and the modern ones that he saw as a rekindling of ‘pagan beliefs’ – or neo-paganism. 

The term ‘pagan’ signifies someone who lives in the countryside and it might refer to aristocrats keeping summer houses there – but it does denote peasant. It is outside the cities the land was ploughed and cattle kept. There was a difference between the city dweller and the dweller in the countryside since Antiquity, both in customs and beliefs. Then like now the urban people considered the peasants to be rustic and superstitious. In this pagan fold we had yet other individuals that were subject for ambivalence amongst the pagans – and by extension the city dwellers. These were those who knew about herbs and prophecy. Weird people; not really of this world that possessed knowledge that aided in childbirth and sickness of men and cattle. The peasants went to them when they needed and spoke of them in awe and degradation when they had no need. 

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